100 percent conception
100 percent realization
100 percent art direction
100 percent fakob
100 percent me

My name is Jakob Schindegger.
I am an art director in the area of motion graphics and VFX. curriculum vitae

Shot breakdown – for further details please follow the individual project links:

The Growing Up of a truck short clips  personal project Software: Softimage, Syntheyes, After Effects Guardian Angel promotional video  Production: Theresa Lobkowicz Work: tracking, animation and compositing Software: Softimage, Syntheyes, After Effects 175 Years Bertelsmann: Trends in Technology presentation (36x5m projection, 30 min)  Production: ZONE Media, Grosse8 Work: visual concept, art direction, animation, ICE-programming, scripting Software: Softimage, After Effects Kapsch Media System more than  200 clips (branding, information, entertainment)  Production: ZONE Media Work: visual concept, art direction, animation, ICE and vvvv programming Software: Softimage, vvvv, After Effects Brunos Welt – Infoscreen more than 40 episodes á 30 sec  Production: ZONE Media Work: concept, art direction, animation Software: Softimage, Syntheyes, After Effects PSK Versicherung imagefilm  Production: media art compagnie Work: visual concept, art direction, animation Software: Softimage, Fusion The Perverts Guide to Cinema documentary  Production: Channel 4, Mischief Films Work: visual concept, title animation, motion graphics and VFX Software: After Effects Tree in my office  personal project Software: Softimage, After Effects Der Gruen Effekt documentary  Production: www.pooldoks.com Work: visual concept, title animation, inserts, credits, tracking Software: After Effects, Syntheyes Filmgallerie logo animation  Production: ZONE Media Work: visual concept, animation Software: After Effects ray – Filmmagazin theatrical trailer  Production: ZONE Media Work: visual concept, animation Software: After Effects Rimini feature film  Production: Peter Jaitz Work: visual concept, title animation, credits, tracking Software: After Effects, Boujou GreenKat Productions logo animation  Production: Qarante Brand Design Work: animation Software: After Effects Zugvögel WIP  in collaboration with the artist Juli Fritz Software: Softimage Fatal Promises documentary  Production: Greenkat Productions Work: visual concept, info graphics, title animation, credits Software: After Effects Kunstraum Niederösterreich logo animation  Production: ZONE Media Work: visual concept, animation Software: After Effects HangART-7 multiple ident clips for documentary  Production: ZONE Media Work: visual concept, animation Software: After Effects fakob – Pixar – spoof  personal project Software: Softimage, After Effects The Street  personal project Software: Softimage, PFTrack, After Effects Festspielhaus St. Pölten logo animation  Production: ZONE Media Work: visual concept, animation Software: After Effects forum  frohner logo animation  Production: ZONE Media Work: visual concept, animation Software: After Effects Telekom Austria animations for exhibition  Production: Media Art Compagnie Work: visual concept, animation, art direction Software: Softimage, After Effects Kino unter Sternen Trailer theatrical trailer  Production: afterimage productions Work: visual concept, animation Software: After Effects

Motion Graphics for the Movie “The Pervert’s Guide to Cinema”
by Sophie Fiennes (Channel4 / WDR / 3sat)

Work: 100% fakob - visual concept, title animation, inserts, credits, VFX

Software: After Effects

“A unique journey through film history. Been now world-famous psychoanalyst and culture theoretician Slavoj Zizek takes us using famous film fragments to the deepest crypts of the human psyche.”

A LoneStar / Mischief-Films / Amoeba Film Production in association with Channel4 and WDR/3sat

Title and Inserts Design for the Documentary Der Gruen Effekt by Anette Baldauf und Katharina Weingartner www.pooldoks.com

Work: concept, tracking, animation, art direction

Software: After Effects, PFTrack

Gruen Effect – the intentional confoundment of wayfinding cues, in the hope that customers will get disoriented and spend more time and money in a mall

Victor Gruen (1903-1980) is considered to have been the inventor of the shopping mall. In the course of his life, he completed major urban interventions in the US and Western Europe that fundamentally altered the course of western urban development. The film describes how Gruen’s fame rests mostly on the insertion of commercial machines into the decentred US suburbs. These so-called ‘shopping towns’ were supposed to strengthen civic life and structure the amorphous, mono-functional agglomerations of suburban sprawl. Yet within a decade, Gruen’s designs had become the architectural extension of the policies of racial and gender segregation underlying the US postwar consumer utopia.

Title and Infographic Design for the Documentary Fatal Promises by Katharina Rohrer www.fatalpromises.com

Work: 100% fakob – from concept to implementation

Software: After Effects

Ukraine is a nation struggling to establish a stable economy, a functioning legal system and to control criminal enterprises. Tragically, since the fall of the Soviet Union hundreds of thousands of women, children and men have been trafficked from Ukraine to the United States and Western Europe and forced into sexual or labor servitude. Their situation is not unique to the world as the global community faces a rising tide in human trafficking. Through personal stories of victims and interviews with politicians, NGO representatives and activists, Fatal Promises provides a comprehensive look at the global realities of human trafficking verses the rhetoric of politicians and pundits who claim to be making significant strides in combating this horrific crime against humanity.

Motion Graphics for the Movie “RIMINI” by Peter Jaitz.

Work: visual concept, title animation, credits, tracking

Software: After Effects, Boujou

Alex, age 30, quits his job, without knowing why. Hans, a police detective, knows what he wants, but is not allowed to do so anymore. And the film student Siggi can imagine almost everything. Two and a half stories about watching and being watched.

RIMINI